#Blue yeti mic not picking up sound how to#

The best thing to use in this case would be a diffuser. That being said, there are instances, where your room tone is awesome, and you want to preserve it for infusing your recordings with your room sound. This is why itвЂ™s important to insure youвЂ™re preventing as much surface reflection as possible.

Only a part of your sound goes in a straight line, with a lot of it leaking all around the sound source. The main job of these pads is to reduce the reverberation, and sound reflection in your room. YouвЂ™re probably familiar with the foam pads, that are visible in almost any studio ever. Acoustically Treating Your Room вЂ“ DIY Version Then youвЂ™ll want to acoustically treat these parts. Do this for both speakers, and youвЂ™ll have found the direct reflection point of your speakers. While sitting at your monitors, in the position you would usually sit in while producing, have a friend use a small mirror, to go along your walls.Дo this until you find the spot, where, from your sitting position, you can see the speaker in your mirror. This is the best way for you to figure out your direct reflections from your speakers. The mirror method is probably your best bet.

#Blue yeti mic not picking up sound how to#

Yes, you could buy a measurement mic for around $30 and use some free software, but honestly, without knowing how to exactly counter the issues in your room, knowing your RT60, or standing wave nodes is nearly useless.ДЇor that reason, there exists a tried and true method of quickly figuring out where to put your acoustic treatment. So, the most important part of your acoustic treatment, the measurement. Grab A Pop Shield Finding Your Room Reflection Points Importance of A Good Recording Environment If youвЂ™re working with a particularly loud vocalist or recording electric guitar, using a pattern with less sensitivity is a great way to ensure you donвЂ™t hear any clipping.ДЄs long as you select the correct polar pattern setting, for your situation, and make sure youвЂ™re not clipping, you should be able to reduce some unwanted background noise.

Cardioid pattern, with a -10dB Pad вЂ“ the same as the Cardioid, except, itвЂ™s less sensitive, to accommodate louder sound sources.

If omni is left on, when recording a single source, youвЂ™ll experience a lot of background noise from your blue snowball mic. If youвЂ™re recording an acoustic band performance, you should select the omni pattern for example.

The OMNI polar pattern вЂ“ better for recording multiple sources of sound.

Unlike the following setting, a Cardioid polar pattern wonвЂ™t pick up any sound from behind the snowball microphone. Cardioid microphones pick up the sound thatвЂ™s coming in at the front of the microphone.

The CARDIOID pattern вЂ“ best for a single sound source such as a vocalist, guitar etc.The Blue Snowball mic comes with 3 switchable microphone patterns, Cardioid, Omni and Cardioid Padded:

Offering three polar patterns вЂ“ you can set-up your Blue Snowball to work with single sound sources, as well as 360 audio.ДЄ Blue Snowball picking up background noise, is usually because of selecting the wrong microphone pattern, for what youвЂ™re using it for. The Blue Snowball is a versatile microphone and can be used in a multitude of different settings.